“A true landscape painting does not tell us precisely what a landscape looks like-or, not only that, what it tells us, if this does not sound extravagant, is what a landscape means, what is its individual power and beauty. The painter sees what is before him, takes it into himself, understands and loves it, and then re-creates for us the double reality of what he sees and what he feels.
Cezanne, to whom William is a spiritual son, called it his “petit sensation”, his reaction, the response he and he alone could make.
Kelley loves the Chianti region…This is no way is a religious picture, but a profoundly spiritual one, a strong and gentle praise of the soil and its fruit."
Sister Wendy Beckett
Art Historian, Author, and Host on PBS and BBC